Vernon Ah Kee

Vernon Ah Kee was born in North Queensland and has been living in Brisbane for eleven years. With a BVA in Contemporary Australian Indigenous Art, Vernon undertook a year of Honours in Fine Art before beginning a Doctorate of Visual Art in 2001. Vernon's work is primarily a critique of Australian popular culture, specifically the Black/ White dichotomy that locates itself in his work. For the past four years he has concentrated on a conceptual use of text and minimal expression. Vernon combines a combative writing style with a strong visual sense to achieve successful communication in a manner that makes effective use of the format of Visual Arts as Aboriginal expression.

Vernon Ah Kee's background in visual arts is primarily in the fields of drawing and screen printing. Vernon currently lectures in Queensland College of Art's BVA in Contemporary Australian Indigenous Art. His academic interests include Aboriginal education, Aboriginal identity and art. Additional interests include Intellectual Property and Native Title.

http://www.abc.net.au/tv/yours/artists/kee.htm




what a man with words and with charcol. Vernon is an artist who i truely respect. very simple use of text and portrature. it comes across as something that we have all see so often in the psat. but has a deeper meaning to us now. very orginal, because the word original has its connotations to the past.

Richard Bell



ah this makes me laugh. also that it won the telstra award makes me laugh even more. so much irony. ha

Lin Onus

Lin Onus combines traditional painting with contemporary painting.


i really enjoy these paintings because they are both well painted and have a meaning to them.

i really enjoy the stingray one. showing the communication breakdown in our society between husband and wife. showing that when we come to a problem(the roundabout) our communication breaksdown(the telephone in the dirt) also because they are half buried. we need to work out our problems instead of breaking it off and doing the same thing again and again.

Fiona Foley

another great contemporary artist who is asking questions. not keeping silent.
some good reading

http://www.anu.edu.au/hrc/research/WtoS/Healy.pdf

http://www.artmuseum.uq.edu.au/interpretive-resources/FionaFoleyLearningResource.pdf

also a video

http://player.sbs.com.au/naca/#/naca/living_black/Latest/playlist/Forbidden/

Yhonnie Scarce

of course as a glassblower i look for other glassblowers. Yhonnie finished at Unis SA in 2004. i think her work is well finished and holds a very strong meaning. this is a good link to look at her work

http://www.diannetanzergallery.net.au/artist.php?name=Yhonnie%20Scarce

Rover Thomas

"Rover Thomas is one of Australia's most important artists. One of the first two Indigenous artists to represent Australia at the 1990 Venice Biennale, his paintings sparked a greater appreciation of Aboriginal art, both nationally and internationally.

Although he found fame late in life as an East Kimberley artist, Rover was a desert man, and the story of his life is interwoven with that of the Canning Stock Route. Rover was born in the 1920s and raised in the Country around the middle stretches of the stock route. After his parents died, he was picked up by a drover, Wally Dowling, and taken north to Billiluna and the Kimberley. He became a stockman himself, and eventually married and settled at Turkey Creek. There, in the 1970s, he pioneered the East Kimberley school of ochre painting on canvas.

Rover's desert family moved in other directions, settling in faraway missions and stations. Rover's brother Charlie moved south to Jigalong. His sister Nyuju Stumpy Brown moved to Fitzroy Crossing, and another sister, Kupi, walked west to La Grange mission (Bidyadanga) with her daughter, Miyapu Mary Meribida. Nyuju, Mary and Charlie's son, Clifford Brooks, all became artists in their own right.

In this way, the story of Rover Thomas is more than one man's remarkable life. His story reveals the personal impact that the stock route had on the historical movement of Aboriginal families, and the extraordinary artistic movements that followed in their tracks."

http://www.nma.gov.au/exhibitions/yiwarra_kuju/rovers_legacy/



Gulumbu Yunupinu

Buku-Larrnggay Mulka Centre

Gulumbu, the youngest sister of Galarrwuy (former Northern Land Council Chair and Australian of the Year) and Mandawuy Yunupinu (lead singer of Yothu Yindi and former Australian of the Year), lived as a child at Yirrkala and went to school in the old Mission house. She married Yirrkala Church Panel artist Mutitjpuy Munungurr and had four children, including Milkaynu Munugurr, original yidaki (didjeridu) player for the band Yothu Yindi. Her father is the senior Gumatj man Mungurrawuy, married to Makurrnu, who comes from the Gälpu clan.




again i always enjoy the simpler works. lines and dots. i think they have such power because of the number and detail of them. although the spacing inbetween is perfect. the paintings feel balanced.